fob audience recording with a sbd patch
nak mics > sony d5 > master audience cass > dat's
dat@48>sek'd prodif+ card (resampled to 44.1)>cd wave>mkw
no dae, no normalizing, no eq or processing of any kind
source dats:matt vernon
dat>shn transfer by dale shepherd
drums and space were mostly cut from the dat.
the missing section of drums was patched from the
circulating soundboard using cool edit 2000 by matt vernon
on the dat that was used for the transfer, it appears that johnny b
goode was patched in from an inferior aud source.
Flac encoding notes:
All processing with Trader's Little Helper
Shn - st5 generated
Shn > Flac ( level 8 )
Flac - st5 generated and matched to Shn st5
B. Proctor 2-04-11
Audience (shnid:18658) ***This source was used for Drums -> Space only***
Source: ** Recorded by Moore, Maisner, and Spitalny; Nak 700s> Nak 550> Sony TC-152
from the floor just to the right of the center
Lineage: AUDMC played back on Nak Dragon> ART DI/O> Egosys Waveterminal 2496>
Cool Edit 2000> Feurio/mkwACT by David Minches
Info file by Matt Vernon
---Thank you Charlie Miller for your work on the SBD.
---Thank you Jerry Moore, Steve Maizner and Spitalny for recording the show.
---Thank you Matt Vernon for your work on the AUD sources.
---Thank you Dale Shepherd for your AUD transfer.(shnid:06317)
---Thank you David Minches for your work on the AUD.(shnid:18658)
---Thank you XJ32 for the art work.
---Thank you Germain for your advice, encouragement, guidance and seeding.
May 11, 2017 Subject:
This is a fun show...
...and it sounds great to boot!
I've never heard them have the kind of fun they seem to be having in Fire and Dancin' particularly. Just lots of weird vocal stuff, yelling, moaning and other stuff. Maybe it was common, I am no expert.
Great sounding show...Bobby comes in early on Dancin, just like 5/8 the year before :-)
Thanks to all involved in bringing this sweetness to my ears.
March 26, 2014 Subject:
There are, of course, a bazillion Scarlet->Fires that a great, but I gotta tip my beanie to one more--this one. This is definitely a new fav, due, partially, to the wicked transition.
I'll add that I've not yet compared this copy to others, but it sounds great to me. Thanks to Alla who contributed, and--Nice work, Dave.
favoritefavoritefavoritefavoritefavorite ( 1 reviews ) Source: Matrix 70% sbd/30% aud; Soundboard source: SBD > Cassette Master > Reel > Dat (48k); Transfer Info: Dat (Sony R500) > Sound Devices 744T > Samplitude Professional v10.02 > Cool Edit Pro v2.0 > FLAC; All Transfers and Mastering By Charlie Miller and Audience source: 2x Nakamichi CM300/CP1's > Sony TC-153SD > Maxell XLII's. Mics on stand, set up in center of upper balcony behind the stage, mics pointed at rear-facing P.A. Taped by Tim Friend.
favoritefavoritefavoritefavorite ( 1 reviews ) Source: 2 Source Matrix by dusborne; Soundboard (shinid:34651) Souce: SBD > DAT > CDR > WAV > SHNv3 and Audience (shinid:90994) Source: DAUD Schoeps CMC54 > vms 5u > Sony D-10 2 Pro DAT x 1 Recorded by unknown German Taper, Dats provided by David Flaschner
favoritefavoritefavoritefavoritefavorite ( 5 reviews ) Source: 2 source matrix by dusborne; Soundboard (shinid:108996) SBD -> Cassette Master -> Dat -> CD; CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller and Audience (shnid:7639) Sony ECM33P7 + AKGD1000e> Teac PC-10 > Master Audience Cass > DAT's; Tascam DA-P1 dat @48 > Sek'd Prodif+ Card (resampled to 44.1) > Sek'd Red Roaster (edits*) > Cdwav > Mkw; Boundaries verified with Shntool; No dae, no normalizing, no eq or processing of any kind; Source tapes from Matt Vernon; Dat > shn transfer by Dale Shepherd